Medieval Italian Antiphonal
At the Brown University site, there is a very fine study of an illuminated Italian antiphonal. You can see all eighteen leaves (36 sides) that survive from the original, but there is much else here besides.
At the Brown University site, there is a very fine study of an illuminated Italian antiphonal. You can see all eighteen leaves (36 sides) that survive from the original, but there is much else here besides.

Nativity (from an Antiphonary)
ca. 1460, by Francesco di Giorgio Martini
Museo del Duomo
Chiusi, Italy
Here are just a few of the Annunciations from the Huntington Library illuminated manuscripts:
Fifteenth century --
Annunciation, HM 1139, f. 13v (3 traditional elements) (additional info)
Annunciation, HM 1150, f. 12 (3 elements) (info)
Annunciation, HM 1250, f. 15 (3 elements) (info)
Annunciation, HM 1172, f. 7 (4 elements) (info)
Annunciation, HM 1132, f. 14v-15 (4 elements) (info)
Annunciation, HM 1153, f. 15v-16 (5 elements) (info)
Sixteenth century --
Annunciation, HM 1046, f. 17v (3 traditional elements, plus peacock and small animals) (additional info)
Annunciation, HM 48, f. 16 (3 elements) (info)
Annunciation, HM 1147, f. 18v-19 (3 elements) (info)
Annunciation, HM 1175, f. 8v (4 elements, with cat) (info)
This kind of thing strikes me as nearly unbelievable -- 117 pages from the DaCosta Hours. (Sometimes I can't believe I am lucky enough to live in the age of the Internet. )
Yesterday's page contained an illuminated illustration of King David playing bells (curator's notes). For some reason, this theme is a great favorite of mine.
The British Library site has a highly decorated page showing King David engaged in this same activity -- f. 190, and even has a close-up.
The folio is found in an illuminated breviary, made in the years 1322-25, in England. Altogether the site sets forth twenty-two sides in full --
16v, Nativity
20v, St Stephen Martyr
23v, St John the Evangelist
25v, Massacre of the Innocents
32v, Holy Face
62v, Decorated initial
87, Resurrection
103, St John the Evangelist
130, Judith and Holofernes
150v, Dedication of a church
176v, King David pointing to his mouth
190, King David playing the bells
225, St Nicholas of Bari
242v, Presentation in the Temple
252, St Barnabas
255, Martyrs
273, St Swithin
279v, Exaltation of the Cross
285, St Germanus and St Peter in chains
292, St Lawrence
305, St Michael the Archangel
324, St Martin
A French psalter, 1205 Today I've been looking at a very special Psalter at the Getty Museum. This illuminated manuscript was created in 1205, in France, by an anonymous artist known as the "Master of the Ingeborg Psalter." The Getty site reproduces only 9 folios (sides) of the psalter, but these images certainly make up in quality anything they lack in quantity.
There are two main routes for acquainting yourself with the nine folios. One is to "page through the book," by beginning with the first plate, working one's way on through to the middle plates, and continuing on until the last one.
My preferred method, however, is to simply work my way down (or skip about, if I wish) a list of the available folios, with their contents, as follows --
Initial D: Samuel anointing David (f. 27) (curator's notes) (favorite) Initial D: David pointing to his mouth (f. 41v) (curator's notes) Initial Q: David before Saul (f. 55) (curator's notes)
Initial D: A fool with 2 demons (f. 56) (curator's notes) Initial S: David in prayer (f. 70v) (curator's notes) (favorite)
Initial E, highly decorated initial (f. 88v) (curator's notes)
Initial C: David playing bells (f. 105v) (curator's notes) (favorite) Initial D: David in prayer (f. 108) (curator's notes) Initial D: Christ enthroned (f. 123) (curator's notes)
Certain scenes from the Gospels somehow lend themselves to particularly lovely images. Foremost among these is probably the Annunciation, the announcement by the Angel Gabriel to the Virgin Mary that she had been chosen among women to become the mother of Jesus.
Listed below are the twelves illuminated miniatures at the Getty Museum, Los Angeles, portraying the Annunciation. Browsing through them will, I hope, be both a joy and an education in the great variety of concepts and styles brought to this theme by artists over the course of six centuries.
Miniatures --
Annunciation, ca. 1025, by Unknown Annunciation, ca. 1170, by Unknown (unusual composition) Annunciation, ca. 1240, by Unknown
Annunciation, ca. 1410, by a Follower of the Boucicaut Master Annunciation, 1450s, by the Master of the Llangattock Hours Annunciation, early 1460s, by Willem Vrelant Annunciation, ca. 1469, by Taddeo Crivelli
Annunciation, ca. 1480, by an Associate of Georges Trubert Annunciation, ca. 1480, by Jean Bourdichon Annunciation, ca. 1480, by the Master of the Dresden Prayer Book
Annunciation, ca. 1510, by the Master of James IV of Scotland Annunciation, ca. 1525, by Simon Bening (personal favorite)
I have been trying to restrain myself on the illuminated manuscripts front. Just because I go ape over them doesn't mean that everyone does. But enough is enough. Let's do a few.
It turns out that there are a number of medieval manuscripts online at the Royal Library of Denmark site. I have selected a mere five as presenting, in my opinion, the finest script and illuminations. TIP: Upon arriving at the introductory page of each manuscript, use
the links in the left margin to navigate from one large part to another.
These three contain only script and occasional colored initials, but they are still quite handsome:
Passion of St Edmund, ca. 1075, England Life of St Anselm of Canterbury; ca. 1200, France Life of St Bernard of Clairvaux; ca. 1200, France
These two, in contrast, are highly illuminated:
Gospels, ca. 1250, Germany Psalter, 1500-1535, Flanders (Check out the section on the seven deadly sins (pride, greed, lust, anger, gluttony, envy, sloth).)
Bonus: These two are not quite as good, but they are too interesting and enjoyable not to make note of them:
Gospels, ca. 1150, Sweden Antiphonary, 1250-1275, Norway
The Getty Museum site has a lovely page devoted to the Hours of Louis XII, painted for the King of France ca. 1498 by the eminent illuminator Jean Bourdichon. This volume was one of the greatest French manuscripts of its time.
There are several ways you can review images offered on this page. You can, of course, simply read and examine the seven images, one by one, as laid out by the Museum.
Alternatively, you might want to review the images quickly, to get a feel for the volume as a whole --
Louis XII (surrounded by Sts Michael, Louis, Denis and the emperor Charlemagne)
June calendar pageBathsheba Bathing, with King David, her father-in-law, watching from a distance.
A third option is to examine the images via "Zoomify," which will provide you with a mouth-watering view of the superb artwork --
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